psychofactz:

More Facts on Psychofacts :)

and we tend to love them more too.

psychofactz:

More Facts on Psychofacts :)

and we tend to love them more too.

marx4children:

On Goals

marx4children:

On Goals

psychofactz:

More Facts on Psychofacts :)

reasons i always listen to music # 45. (#44 is so i do not have to listen to stupid people) 

psychofactz:

More Facts on Psychofacts :)

reasons i always listen to music # 45.
 (#44 is so i do not have to listen to stupid people) 

psychofactz:

More Facts on Psychofacts :)

loki-in-the-head:

kittenball:

youcannot-tamethegodof-mischief:

Bonus Black Widow:

Part 1 (x)

Part 2 (x)

*screech*

Omg these are brilliant

So who wants to join me in my Blue Box?

So who wants to join me in my Blue Box?

cavetocanvas:

James Tissot, Tea, 1872
From the Metropolitan Museum:

When Tissot moved to London in 1871, he immersed himself in the local scene, with work for “Vanity Fair” and genre paintings with the river Thames as backdrop. “Tea” is a repetition of the left-hand portion of one of his most famous London scenes, “Bad News” (National Museum of Wales, Cardiff), which shows a captain and his girlfriend absorbing the news of his imminent departure while a companion prepares tea.“Bad News” shows the Pool of London through the tavern windows, while “Tea” displays the dense London cityscape beyond that stretch of the river. Tissot’s friend Edgar Degas owned a pencil study for this picture.

cavetocanvas:

James Tissot, Tea, 1872

From the Metropolitan Museum:

When Tissot moved to London in 1871, he immersed himself in the local scene, with work for “Vanity Fair” and genre paintings with the river Thames as backdrop. “Tea” is a repetition of the left-hand portion of one of his most famous London scenes, “Bad News” (National Museum of Wales, Cardiff), which shows a captain and his girlfriend absorbing the news of his imminent departure while a companion prepares tea.

“Bad News” shows the Pool of London through the tavern windows, while “Tea” displays the dense London cityscape beyond that stretch of the river. Tissot’s friend Edgar Degas owned a pencil study for this picture.